Movie Where Woman Gets Young Again
A woman at a bar appears incredibly intoxicated, falling over in her seat and barely able to keep her head upwardly, when she'southward noticed by 3 average guys. One of them, played by Adam Brody, saunters over to her with, he tells himself, the best of intentions. She'south in problem. He's a "nice guy." And if he doesn't get her home safely, a bad guy may practise something horrible to her. Something he would never do, of class. So he introduces himself to Cassie (Carey Mulligan), who's clearly way likewise intoxicated to know what's going on. And, of form, every bit he helps her go dwelling house, he suggests perhaps that they go to his apartment first. Despite her beingness barely conscious, he starts to buss her and then moves to the bed. And that'south when he realizes that not only is she not drunkard simply he'southward not really a nice guy.
Cassie, the heroine of Emerald Fennell'south ambitious debut "Promising Young Adult female," has an interesting hobby. Dropping out of med school years ago after an undefined trauma involving her best friend Nina, she works at a coffee shop now, and entraps men at nighttime into revealing that their own perception of their moral code is a form of denial. Fennell reveals what happened to Nina slowly in "Promising Young Woman," but it's clear she was a victim of non just one privileged homo only a organization that protected the criminal over the accuser. Cassie is trying to dismantle that system one shitty guy at a time.
Two events propel Cassie into rethinking her strategy. First, she reunites with an one-time classmate named Ryan (Bo Burnham), and the two outset dating. Burnham and Mulligan take solid chemistry, and Fennell doesn't blitz their courtship, making it experience more genuine and conceivable that Cassie would let her guard down for the start time in a long time. However, Ryan also reveals that the man who sent Cassie on this spiral of grief and trauma is dorsum in the United States after spending time in London. This spurs Cassie on to an endgame to her lessons almost male privilege and moral say-so, finally going after the people who helped destroy her best friend.
"Promising Young Woman" is a tonal roller coaster, just that'due south part of the point. Trauma often makes for swings of mood and decision making, and Mulligan and Fennel never forget that Cassie is a traumatized person, taking out her pain on the patriarchal organisation that enabled information technology. It'due south a film about a adult female searching for catharsis that she'll just never observe. Look at the notebook with the names of the men she'due south taught a lesson—there are dozens of them. And there's a sense that even going right to the people who caused this pain can only do so much, which is then enhanced by an intense final human activity. I take to admit I thought Fennell had written herself into a corner—it felt like aught could mayhap satisfy Cassie's emotional arc—only then she pushes correct through that corner with a final act that will split up audiences simply I admire for its audacity the more than I sit with information technology.
There are times when it feels like Fennell chip off a bit more than virtually debut writer/directors practise, but requite me a immature filmmaker who swings for the fences over one who plays it condom whatever day. And give me ane who makes a movie that doesn't just utilize trauma as an emotional manipulation or put women in jeopardy as a cheap writing trick. "Promising Young Adult female" is as confident as its protagonist, a film that'due south willing to exist a piddling messy and inconsistent in a way that reflects Cassie's existence. She works in a java shop and has supportive parents, but every twenty-four hours is filled with the reminder of what she's lost. She sits at night looking at photos of her best friend when they were young. We often see trauma and overriding grief on moving-picture show as clean, neat character traits, just I think the tonal whiplash of "PYW" captures something near the inconsistency of these issues better than near movies even try to do. Cassie is brilliant and beautiful, but she can't terminate herself from fighting back against systems that protect atrocious men in whatever way she can, fifty-fifty if that fight keeps her locked in a box of her own design.
What's funny is that this probably all makes "Promising Young Woman" audio more intense than it actually is. There'due south a lot of dark humour in this film, which makes sense from the flavor two showrunner of "Killing Eve," and an honestly solid human relationship drama for function of it. Burnham proves he can bear a film like this, holding his ain opposite Mulligan, and doing a wicked lip sync task on a pop music classic. Equally for Mulligan, she's phenomenal once again. She nearly always is. Cassie is a really tough role, the kind that would take stymied other actresses into pushing into camp and the kind of balancing act that people will underrate.
In the light of the adjacent mean solar day, a lot of the issues I had with "Promising Young Adult female" nigh feel like strengths now. I'm not sure the ending lands, and some of the tonal jumps could take been refined, simply there'southward so much flick here to unpack and discuss. Even at Sundance, a lot of films dissipate from retention on the way to the next screening. Not this 1. Non for a long time.
This review was filed from the 2022 Sundance Film Festival.
Brian Tallerico
Brian Tallerico is the Editor of RogerEbert.com, and likewise covers television, picture show, Blu-ray, and video games. He is as well a author for Vulture, The Playlist, The New York Times, and Rolling Rock, and the President of the Chicago Motion-picture show Critics Association.
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Promising Young Woman (2020)
113 minutes
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